International Journal of

ADVANCED AND APPLIED SCIENCES

EISSN: 2313-3724, Print ISSN: 2313-626X

Frequency: 12

line decor
  
line decor

 Volume 11, Issue 3 (March 2024), Pages: 19-26

----------------------------------------------

 Original Research Paper

The role of digital technology in integrating Chinese elements into contemporary printmaking

 Author(s): 

 Guo Meilin *, Mohd Jamil Bin Haji Mat Isa, Luo Kewen

 Affiliation(s):

 School of Fine Art, College of Creative Arts, Universiti Teknologi MARA, Shah Alam, Malaysia

 Full text

  Full Text - PDF

 * Corresponding Author. 

  Corresponding author's ORCID profile: https://orcid.org/0009-0002-4806-4698

 Digital Object Identifier (DOI)

 https://doi.org/10.21833/ijaas.2024.03.003

 Abstract

This research investigates how digital technology is changing the way Chinese motifs are used in contemporary printmaking and its importance in enhancing cross-cultural understanding. Through analyzing existing literature, this study delves into the historical evolution of Chinese printmaking, the incorporation of traditional Chinese elements into modern practices, and the role of digital technology in transforming these artistic forms. It shows that combining digital innovations with Chinese artistic techniques not only increases public appreciation of Chinese culture and aesthetics but also fosters intercultural dialogue and understanding. Additionally, the study highlights the role of digital technology in creating new and innovative printmaking methods that merge traditional Chinese elements with modern techniques. However, the research is limited due to its dependence on secondary data and its narrow cultural scope, indicating the need for more comprehensive studies, especially regarding the role of art in intercultural communication and the influence of digital media in this area. This review makes a significant contribution to the ongoing discussion about the relationship between art, technology, and cultural exchange and highlights the evolving nature of printmaking in today's art scene.

 © 2024 The Authors. Published by IASE.

 This is an open access article under the CC BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/).

 Keywords

 Digital technology, Printmaking, Chinese elements, Cross-cultural understanding

 Article history

 Received 1 September 2023, Received in revised form 3 February 2024, Accepted 5 February 2024

 Acknowledgment 

No Acknowledgment.

 Compliance with ethical standards

 Conflict of interest: The author(s) declared no potential conflicts of interest with respect to the research, authorship, and/or publication of this article.

 Citation:

 Meilin G, Isa MJBHM, and Kewen L (2024). The role of digital technology in integrating Chinese elements into contemporary printmaking. International Journal of Advanced and Applied Sciences, 11(3): 19-26

 Permanent Link to this page

 Figures

 No Figure

 Tables

 No Table

----------------------------------------------   

 References (24)

  1. Anderson N, Potočnik K, and Zhou J (2014). Innovation and creativity in organizations: A state-of-the-science review, prospective commentary, and guiding framework. Journal of Management, 40(5): 1297-1333. https://doi.org/10.1177/0149206314527128   [Google Scholar]
  2. Barker D (2005). Traditional techniques in contemporary Chinese printmaking. University of Hawaii Press, Honolulu, USA.   [Google Scholar]
  3. Boboc RG, Băutu E, Gîrbacia F, Popovici N, and Popovici DM (2022). Augmented reality in cultural heritage: An overview of the last decade of applications. Applied Sciences, 12(19): 9859. https://doi.org/10.3390/app12199859   [Google Scholar]
  4. Gaskell I (2012). Spilt ink: Aesthetic globalization and contemporary Chinese art. The British Journal of Aesthetics, 52(1): 1-16. https://doi.org/10.1093/aesthj/ayr052   [Google Scholar]
  5. Golas PJ (2014). Picturing technology in China: From earliest times to the nineteenth century. Hong Kong University Press, Hong Kong, China. https://doi.org/10.5790/hongkong/9789888208159.001.0001   [Google Scholar]
  6. Hung CT (2000). Repainting China: New Year prints (Nianhua) and peasant resistance in the early years of the People's Republic. Comparative Studies in Society and History, 42(4): 770-810. https://doi.org/10.1017/S0010417500003315   [Google Scholar]
  7. Hunter D (1978). Papermaking: The history and technique of an ancient craft. Courier Corporation, Chelmsford, USA.   [Google Scholar]
  8. Khullar S (2015). Worldly affiliations: Artistic practice, National identity, and modernism in India, 1930 1990. University of California Press, Berkeley, USA. https://doi.org/10.1525/9780520356054   [Google Scholar]
  9. Lagerwey J (2018). Religion and thought in the song, Jin, and Yuan (960–1368). In: Lagerwey J (Ed.), Paradigm shifts in early and modern Chinese religion: A history: 119-194. Brill Publishers, Leiden, Netherlands. https://doi.org/10.1163/9789004385726_004   [Google Scholar]
  10. Lin H (2015). Coloring the book in Ming-Qing China: Polychrome woodblock printing, ca. 1600-1900 1. Quarterly Journal of Chinese Studies, 3(3): 33-49.   [Google Scholar]
  11. Lin RT (2007). Transforming Taiwan aboriginal cultural features into modern product design: A case study of a cross-cultural product design model. International Journal of Design, 1(2): 45-53.   [Google Scholar]
  12. Liu Y (2021). Understanding the reconstruction of traditional porcelain culture in Urban China-based on modern porcelain industry in Jingdezhen. Ph.D. Dissertation, Charles University, Praha, Czech Republic.   [Google Scholar]
  13. Mahmood A, Akram T, Chen H, and Chen S (2022). On the evolution of additive manufacturing (3D/4D printing) technologies: Materials, applications, and challenges. Polymers, 14(21): 4698. https://doi.org/10.3390/polym14214698   [Google Scholar] PMid:36365695 PMCid:PMC9656270
  14. McDermott JP and Burke P (2015). The book worlds of East Asia and Europe, 1450–1850: Connections and comparisons. Hong Kong University Press, Hong Kong, China. https://doi.org/10.5790/hongkong/9789888208081.001.0001   [Google Scholar]
  15. Morley N (2016). Linocut for artists and designers. The Crowood Press, Marlborough, UK.   [Google Scholar]
  16. Orzech C, Payne R, and Sørensen H (2010). Esoteric Buddhism and the tantras in East Asia. Brill Publishers, Leiden, Netherlands. https://doi.org/10.1163/ej.9789004184916.i-1200   [Google Scholar] PMid:21823956
  17. Qiu G and Zhang J (2023). Application of digital technology in painting using new media and big data. Soft Computing, 27(17): 12691-12709. https://doi.org/10.1007/s00500-023-08852-z   [Google Scholar]
  18. Rani A (2018). Digital technology: It's role in art creativity. Journal of Commerce and Trade, 13(2): 61-65. https://doi.org/10.26703/JCT.v13i2-9   [Google Scholar]
  19. Shusterman R (2009). Body consciousness and performance: Somaesthetics east and west. The Journal of Aesthetics and Art Criticism, 67(2): 133-145. https://doi.org/10.1111/j.1540-6245.2009.01343.x   [Google Scholar]
  20. Veidlinger D (2018). Transmission of Buddhist media and texts. https://doi.org/10.1093/acrefore/9780199340378.013.515   [Google Scholar]
  21. Zhang F, Xie J, and Luo L (2022a). Deep cross-cultural reconstruction process in the context of cultural potential: A qualitative study. Frontiers in Psychology, 13: 727616. https://doi.org/10.3389/fpsyg.2022.727616   [Google Scholar] PMid:35602749 PMCid:PMC9120592
  22. Zhang H, and Zheng H (2022). The application and teaching of digital technology in printmaking. Security and Communication Networks, 2022: 3271860. https://doi.org/10.1155/2022/3271860   [Google Scholar]
  23. Zhang H, Jiao T, and Yang S (2022b). Fusion of digital printmaking and traditional printmaking using edge computing optimization model. Scientific Programming, 2022: 2259478. https://doi.org/10.1155/2022/2259478   [Google Scholar]
  24. Zhang T (2024). The influence of Chinese contemporary cultural environment on printmaking expression. Education Reform and Development, 6(3): 63-68. https://doi.org/10.26689/erd.v6i3.6597   [Google Scholar]